Bartosz Sikorski works at the intersection of painting, object, moving image, sound and installation.<\/p>\n\n\n\n
His practice often begins with systems: colour models, pixel structures, musical intervals, repeated gestures, scores or technical constraints. Rather than treating these systems as closed conceptual frameworks, he follows them into material, spatial and sonic situations.<\/p>\n\n\n\n
Painting is central, but it rarely remains only a surface. It can become a tool, a residue, an object, a screen, a sound source, a fragment of a score or a spatial marker. In many works, structures that appear controlled begin to drift, fail or transform.<\/p>\n\n\n\n
Sound is not added as background or atmosphere. It functions as a structural layer: a way of organizing space, rhythm, interval and listening. Speakers, exciters, cables, projectors and supports often remain visible, becoming part of the work\u2019s physical anatomy.<\/p>\n\n\n\n
Across different media, the work asks how a system can become a body \u2014 through colour, material resistance, sound, repetition, calibration, error and the viewer\u2019s movement through space.<\/p>\n\n\n\n
Publications \/ Texts<\/strong><\/p>\n\n\n\n <\/p>\n\n\n\n Christina Natlacen <\/p>\n\n\n\n Gabriel Hubmann <\/p>\n\n\n\n Christian Bazant-Hegemark <\/p>\n\n\n\n Stanis\u0142aw Ruksza <\/p>\n","protected":false},"excerpt":{"rendered":" Bartosz Sikorski works at the intersection of painting, object, moving image, sound and installation. His practice often begins with systems: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-38","page","type-page","status-publish","hentry"],"yoast_head":"\n
Weiss auf Schwarz \/ White on Black, 2014
Catalogue text and interview, Atelier Suterena, Vienna
PDF, 18 pages (archival PDF) Download <\/a>PDF<\/a><\/p>\n\n\n\n
Bartosz Sikorski: Works from 2007 to 2012. An Introduction
Essay with work documentation
PDF, 12 pages Download PDF<\/a><\/p>\n\n\n\n
Beyond Mimesis [recursions]: Bartosz Sikorski, 2014
Text on CMYK \/ pixel-based paintings and objects Read original <\/a>text<\/a><\/p>\n\n\n\n
Reboot Cyfrozaura \/ The Reboot of the Digisaur, 2020\/2021
Curatorial \/ exhibition text
Read <\/a>text<\/a><\/p>\n\n\n\n